music for
Cover of drinking cispy coke zeros on a beach near japan

music for

drinking cispy coke zeros on a beach near japan

Ten tracks

  1. The first cold sip, with the sea right in front of you.

    Cue sheet

    City pop, light mellow, resort pop. Chorused Fender Rhodes, clean Stratocaster sixteenth-note chops, fretless bass, tight live drums with snappy snare, DX7 bell electric piano. 104 BPM, E major. Warm 80s plate reverb, soft tape warmth, gentle top end. No distortion, no trap drums. Fizzy ease: guitar chops sparkle on the offbeats while the bass slides lazily beneath. [0:00-0:45] full groove from the downbeat [0:45-1:40] DX7 bell melody enters [1:40-2:25] tambourine, fuller Rhodes voicings [2:25-3:00] melody up an octave, clean final chord. Instrumental, no vocals.

  2. Wandering over for another can while the waves keep time.

    Cue sheet

    Light mellow, city pop instrumental. Digital marimba lead, chorused Fender Rhodes, fingered electric bass, brushed-snare live kit with shaker, clean Stratocaster arpeggios. 92 BPM, A major. Glassy 80s plate reverb, soft tape saturation, faint surf foley. No distortion, no heavy kicks. Unhurried contentment: the marimba melody lands just behind the beat. [0:00-0:50] marimba, Rhodes and brushed kit together [0:50-1:45] guitar arpeggios answer the marimba [1:45-2:30] bass walks up, shaker doubles [2:30-3:00] band thins to marimba and surf, soft stop. Instrumental, no vocals.

  3. Sugar-free energy kicking in and your feet start tapping in the sand.

    Cue sheet

    Japanese boogie, city pop funk. Slap electric bass, tight disco-leaning live drums with open hi-hat, chorused Stratocaster sixteenths, brassy Juno stabs, Fender Rhodes. 112 BPM, E major. Polished 80s studio mix, short plate reverb, tape warmth. No distortion, no 808s. Bright buzz: the slap bass pops right on the snare. [0:00-0:40] drums, slap bass and guitar lock in [0:40-1:30] Juno stab riff enters [1:30-2:15] breakdown to bass and hi-hat, handclaps [2:15-3:00] full band back, stabs doubled, hard ending. Instrumental, no vocals.

  4. Lying back on the towel, a little too warm and not minding.

    Cue sheet

    AOR ballad, light mellow city pop. Breathy alto saxophone lead, Fender Rhodes with tremolo, fretless bass, soft rimshot drums, warm pad from a Juno. 84 BPM, C# minor. Lush 80s hall reverb, tape warmth, rounded highs. No distortion, no busy fills. Heat-drowsy bliss: the sax bends into each long note. [0:00-0:55] Rhodes, rimshot kit and fretless together [0:55-1:50] alto sax melody enters [1:50-2:30] pad swells, drums open to full snare [2:30-3:00] sax holds a long note over a fading Rhodes. Instrumental, no vocals.

  5. A lazy bossa sway under a striped umbrella.

    Cue sheet

    Resort pop, bossa-inflected city pop. Nylon-string guitar comping, Fender Rhodes, fretless bass, bossa brush pattern with rimclick, DX7 flute-bell melody. 100 BPM, A major. Dry-ish 80s room with light plate, tape warmth. No distortion, no heavy drums. Shaded calm: the rimclick ticks steady as the flute-bell floats. [0:00-0:45] nylon guitar, rimclick and bass together [0:45-1:35] DX7 melody enters [1:35-2:20] Rhodes solo, congas added [2:20-3:00] melody and guitar alone, congas out. Instrumental, no vocals.

  6. The windows down on the seaside train, the whole bay rushing past.

    Cue sheet

    Jazz fusion, city pop, 80s AOR. Driving live drums with ride cymbal, slap-and-pop bass, chorused Stratocaster lead, DX7 bell electric piano, brass section stabs. 120 BPM, E major. Punchy 80s studio mix, plate reverb, tape warmth. No distortion, no programmed drums. Wind-in-the-hair rush: the guitar lead soars over pushing brass. [0:00-0:40] full band groove, brass hits [0:40-1:30] guitar melody [1:30-2:10] DX7 solo over ride cymbal [2:10-3:00] key lift to F# major, brass and guitar in unison to the end. Instrumental, no vocals.

  7. Everyone digging into the ice for one more.

    Cue sheet

    Summer city pop, light funk. Clavinet-style Rhodes chops, clean Telecaster fills, fingered bass with octave jumps, tight live kit with cowbell, marimba countermelody. 96 BPM, B major. Warm 80s plate, tape warmth, bright but soft. No distortion, no 808s. Easy sociability: marimba and guitar trade short phrases. [0:00-0:45] kit, bass and Rhodes chops together [0:45-1:35] marimba and guitar call-and-response [1:35-2:20] drop to bass and cowbell, then rebuild [2:20-3:00] all layers, fade out on the groove. Instrumental, no vocals.

  8. The afternoon slowing down as the sun slips lower.

    Cue sheet

    Light mellow, mellow AOR instrumental. Fender Rhodes with slow chorus, fretless bass, soft brushed kit, clean Stratocaster harmonics, warm Juno string pad. 86 BPM, C# minor. Soft 80s hall reverb, tape warmth, rolled-off highs. No distortion, no loud hits. Sweet wistfulness: the fretless bass sings the melody under the Rhodes. [0:00-0:50] Rhodes and brushed kit with fretless melody [0:50-1:45] Juno strings enter [1:45-2:30] guitar harmonics answer the bass [2:30-3:00] strings fall away, Rhodes rings alone. Instrumental, no vocals.

  9. Barefoot on cooling sand, just watching the light change.

    Cue sheet

    Resort ambient pop, light mellow. DX7 bell electric piano, soft Fender Rhodes, fretless bass, gentle rimshot and shaker, distant alto saxophone. 76 BPM, E major. Wide 80s hall reverb, tape warmth, soft surf foley. No distortion, no snare backbeat. Glowing stillness: long DX7 chords bloom and ring out. [0:00-0:55] bells, Rhodes and shaker together [0:55-1:50] fretless bass enters [1:50-2:30] distant sax phrase [2:30-3:00] everything thins to bells and surf. Instrumental, no vocals.

  10. Sandy shoes, a warm can in your hand, the ride home.

    Cue sheet

    City pop, 80s AOR instrumental. Chorused Fender Rhodes, clean Stratocaster melody, fingered bass, tight live drums with gated snare, Juno pad. 90 BPM, E major. Warm 80s plate reverb, tape warmth, soft highs. No distortion, no trap drums. Happy tiredness: the guitar hums the opening melody slower. [0:00-0:45] Rhodes, drums and bass groove [0:45-1:40] guitar melody enters [1:40-2:25] Juno pad swells, tom fill into bigger chorus [2:25-3:00] drums drop out, guitar and Rhodes ring on a suspended E chord. Instrumental, no vocals.